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**Učlanjen** : 04.01.2012

Piter de Hoh
(Pieter de Hooch)
(1629. - 1677.)

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Pieter de Hooch (nizozemski izgovor: [ˈpitər də ɦoʊx], također navođen kao "Hoogh" ili "Hooghe")
(20. decembar 1629. – 24. mart 1684. ) bio je nizozozemski slikar iz Zlatnog doba, specijaliziran za
zanr slike. Bio je suvremenik velikog slikara Jana Vermeera, sa kojim je dijelio teme i stil.

wikipedia

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Muzicka zabava na dvoru, 1677.

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Musical Scene in Amsterdam

"Treba otimati radost danima koji beze "
Majakovski

**Učlanjen** : 04.01.2012

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The Courtyard of a House in Delft, 1658.

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Detalj

"Treba otimati radost danima koji beze "
Majakovski

**Učlanjen** : 04.01.2012

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"Treba otimati radost danima koji beze "
Majakovski

**Učlanjen** : 04.01.2012

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The Visit

"Treba otimati radost danima koji beze "
Majakovski

**Učlanjen** : 09.02.2014

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The Bedroom: 1658-60

**Učlanjen** : 09.02.2014

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Couple with Parrot: 1668

**Učlanjen** : 09.02.2014

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Company Making Music

**Učlanjen** : 09.02.2014

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Drinkers in the Bower: 1658

**Učlanjen** : 09.02.2014

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Dutch Family: ca 1662

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At the Linen Closet: 1665

Pieter de Hooch had moved from Delft to Amsterdam by 15 April 1661, when one of his daughters was baptized in the Westerkerk. In his Amsterdam years his domestic interiors became richer and his compositions more complex. His technique becomes progressively cruder and his late paintings often contain clumsy figure drawings and a coarse palette. In a painting such as this one, however, from his early years in Amsterdam, De Hooch applies the delicate technique of his Delft scenes to grander Amsterdam interiors.

Here a classical statuette stands over the pilastered doorway and the woman and her maid take clean linen from an ornate 'kast' inlaid with ebony and surmounted by porcelain. In the background a child playfully wields a 'kolf' stick. Paintings such as these accurately show the details of Dutch interiors of the period and it is interesting to see a portrait in an elaborately carved gilt frame hanging alongside a landscape in a simple ebony frame. Through the open door, we can glimpse the buildings on the other side of the canal.

**Učlanjen** : 09.02.2014

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Woman Reading a Letter: 1664

Pieter de Hooch depicts for us incidents in the daily lives of women at home with their children: the mother watching over the cradle, serving her family at table, reading a letter or working in her kitchen. Some of his paintings show guests arriving in a spotlessly clean room or courtyard, taking a glass of wine, listening to music or conversing together. The keynote of every single picture is an intimate simplicity; the painter conducts us into a calm and quiet world, both clean and orderly, inhabited by the well-to-do. Patrons, whose preference was for something livelier, for gay and colorful peasant scenes, bought pictures by the Ostades, Jan Steen or Jan Miense Molenaer, but de Hooch was popular in the narrower circle of those who appreciated his distinctive approach and delicacy of execution. The magic of his works lies not so much in his subjects as in the means by which he interpreted them: the lucid and balanced composition, the feeling of space and the warm glow of his colors.

The sunlight streaming through the window suggests early afternoon. Reflected light and soft shadows are intermingled on the Oriental rug spread over the table, the leather-backed chairs, the curtain and the lead-framed window-panes. It seems as if the quiet would be hardly broken by any sounds from far or near. The act of reading by the young woman sitting in a corner of the room is just as objectively portrayed. The atmosphere of intimacy is absolute, emanating alike from the lady and the objects included in the composition.

**Učlanjen** : 09.02.2014

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Mother Lacing Her Bodice beside a Cradle: 1659-60

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Village House: ca 1665

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Young Woman Drinking: 1658

This work dates from Pieter de Hooch's best period, 1654-62, when he worked in Delft. During these years he painted tranquil scenes of bourgeois domesticity and conversation pieces set in clearly lit interiors, courtyards, or small gardens. His subtle construction of space in depth and his refined use of lighting create an almost lyrical effect, and his style directly anticipates that of Vermeer.

**Učlanjen** : 09.02.2014

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A Dutch Courtyard: ca 1659-60

Gost

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**Učlanjen** : 06.12.2012

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1600s Pieter de Hooch (1629-1684) Interior Child Feeding a Parrot

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**Učlanjen** : 06.12.2012

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1664

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A Woman Peeling Apples

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**Učlanjen** : 06.12.2012

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» Piter O'Tul (Peter O’Toole)

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